12 Things You Should Look for in a Fiscal Sponsor (4-6)

Did you already read Recommendations 1-3?

#4 – What is their Track Record?
To find a fiscal sponsor who is a good fit, you want to know as much about them as they want to know about you and your project.  How many films have they sponsored?  What has happened to these films?  Do they have a good reputation within the film community?  What have you heard about how they are about disbursing funds, communicating with fiscal sponsorees, being a known entity to funders?  There are no right answers to these questions.  For some projects, it may be important to be with a long-established fiscal sponsor which has many projects under its umbrella which have gone on to fundraising and distribution success.  For others, a smaller organization which is more selective about its projects but which may offer other more hands-on services may be preferable.  Once again, you just want to know what to expect.

which brings me to

#6 – Do they provide services or other technical support?
This is not a must for every project.  Some filmmakers may only want or need an organization which just manages donations for their projects.  But a number of fiscal sponsors offer other benefits.  Fiscal Sponsors which require you to become a member of their organization often have a number of other programs you will gain access to at discounted rates, including publications and professional development programming.  Some may take fiscal sponsorees under their wing, becoming mentors or consultants to their sponsored projects.  Still others may serve a dual role as a distributor which some filmmakers may find beneficial.  Or perhaps they provide other services such as access to group-rate insurance, video or editing equipment, rented office space, accounting services, or screening space.

#7 – What fees do they charge?
While many filmmakers would probably put this at the top of their list of considerations for fiscal sponsors, we’ve put it at #7 because it could be penny wise, pound foolish to go with the lowest fee if you need more value from a fiscal sponsor.  That said, you do want to know what sorts of fees are involved — for the application process, for maintaining standing in the program, for administrative fees when you receive donations, and for any additional services you might need.  As noted before, while membership organizations may seemingly ding you twice for a membership fee and a fiscal sponsorship application fee, you are getting the benefit of fiscal sponsorship plus other benefits of membership.  Similarly, when comparing whether a fiscal sponsor charges a relatively low administrative fee or a higher one, it is also important to consider what the fiscal sponsor does for you.  Some fiscal sponsors with higher fees may also offer mentoring services or other technical support.  They may have someone on staff who does nothing but manage the fiscal sponsorship program, allowing for more individualized attention.  They may allow you to receive funds from federal funders, which often have a larger amount of paperwork required from the fiscal sponsor.  They may be set up to accept online donations.  There are many factors which go into how a fiscal sponsor sets up its fees, but rarely is any fiscal sponsoring organization doing much more than breaking even from these fees when compared with the amount of work involved in running a fiscal sponsorship program.

Keep reading…

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12 Things You Should Look for in a Fiscal Sponsor

As we begin a new year, many documentary filmmakers are starting to think about energizing their fundraising efforts and may want to expand their prospects by finding a fiscal sponsor who can help open up access to grants which can only be given to non-profit organizations.

While we should begin by noting that Docs In Progress is one such Fiscal Sponsor, we believe strongly that every filmmaker has to find a Fiscal Sponsor which is the right fit for their project.  If you want to explore what we have to offer, you can do so on our website.  If you want to check out a whole array of fiscal sponsors, we have a list of some of the main fiscal sponsors for film projects here.

Our Executive Director Erica Ginsberg has given talks at the Foundation Center on Fiscal Sponsorship in the Arts and the following list is adapted from that presentation.  She wrote this up because so much of the emphasis has been on what fiscal sponsors are looking for in fiscal sponsorees and yet fiscal sponsorees also should explore all their options to find a fiscal sponsor who is a good fit for their project.  Too many filmmakers focus only on which fiscal sponsor takes the lowest admin fee and not enough on all the other factors which can make or break a successful fiscal sponsorship relationship.

So let’s start at the top:

#1 – Does the Fiscal Sponsor sponsor projects like yours?
Seems like an obvious point, but you’d be surprised how many filmmakers don’t do their research.  Most formalized fiscal sponsorship programs have eligibility information.  For example, Women Make Movies is very clear: your project must be a non-commercial film, video or multimedia project; you must be a U.S. citizen; and the project director must be a woman.  Likewise, we at Docs In Progress won’t consider a project which isn’t a documentary.  Some fiscal sponsors may have geographic requirements or membership requirements.  Do your homework to make sure it is a good fit.  If you’re unsure after researching on the website, contact the staff person who is listed as running the Fiscal Sponsorship Program.

#2 – Which Fiscal Sponsorship Model Do They Follow?
We are not talking about Tyra Banks here.  We mean which type of fiscal sponsorship does their organization provide?  This could mean the difference between basically making a work-for-hire (not an inconceivable proposition if you are making a social issue film and have found a nonprofit with a similar mission who is willing to help fundraise, fund, or distribute the film) or having more creative control but needing to do all the fundraising yourself.  The majority of film organization fiscal sponsors follow “Model C” (also known as a Pre-Approved Grant Relationship) where the Fiscal Sponsor’s main responsibilities are to manage donations directly from individual donors or grant-makers and then “regrant” them to the filmmaker.  If you want to know more about Fiscal Sponsorship Models, the Bible of this topic is Greg Colvin’s book Fiscal Sponsorship: Six Ways to Do it Right or check out some of the resources at Colvin’s website.

#3 – Do they provide clear guidelines and sample agreements?
A Fiscal Sponsorship relationship is a legal one.  Although the term “pass-through” is often bandied about, any organization which does little more than let money pass through its name is not doing due dilligence to its stakeholders or its special tax status it has been granted as a nonprofit organization.  Nonprofits should maintain a degree of transparency and any Fiscal Sponsor should be willing to share with potential Fiscal Sponsorees clear written guidelines on what is involved in applying for Fiscal Sponsorship and what is expected of both parties.  Go in with both eyes open.

Next up, considerations 4-6…

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E is for Empowerment

This week is both a special and sad week for Docs In Progress.  We are saying farewell to Dean Hamer and Joe Wilson, two filmmakers who have been part of our community almost from the time we started.  They are moving from Washington DC to begin a new chapter in their lives and a new film as well.

When we first met them about seven years ago, Joe and Dean did not consider themselves filmmakers.  They made their careers in other professions, but had an idea for a film they wanted to make.  They reached out to Docs In Progress for support.  They presented their ideas and got feedback at one of our early Peer Pitch programs.  As they took on their long project, they produced some shorts which were workshopped through our work-in-progress screenings.  They met with us one-on-one for consultations on their fundraising applications and story structure.  Perhaps most importantly, they were welcomed into the film community by more experienced filmmakers at our programs.

The result was a film called Out in the Silence which went on to receive funding from Sundance and dozens of foundations and angel donors; premiered at the Human Rights Watch Film Festival; was broadcast nationally on public television; and had a multi-year outreach campaign which is now used as a model for how social issue documentaries can have a real impact.  Dean and Joe even returned to Docs In Progress earlier this year to share the knowledge they’ve gained with a new generation of aspiring and emerging filmmakers.

This is empowerment in action.  It is something Joe talks about in a video about Docs In Progress and in a recent interview during a tour with the Mid-Atlantic Arts Foundation.   And it is something which is central to one of Docs In Progress’ core values: Every filmmaker – regardless of where they are in the process of their film or their filmmaking — should have the opportunity to develop their individual potential.

That is also why Docs In Progress is focusing our end-of-year fundraising campaign on building a scholarship program in 2012 so that other aspiring filmmakers can learn documentary storytelling skills through our production classes and youth summer filmmaking camps.  There is nothing quite like finding your voice through documentary film.  But it can’t happen without your support.

How you can make a difference to help a new generation of documentary filmmakers make a difference?

Donate to our IndieGogo campaign.  Whatever amount you can give, you’ll be joining others in helping to make this happen.

Drop off your donation in person this Friday, December 9 between 7:00-10:00 pm at the Docs In Progress Holiday Party.  The minimum suggested donation is $25 but the night is also about celebrating the local documentary community.  We can now accept credit cards, as well as checks and cash on site.

Mail your donation.  Checks may be made payable to “Docs In Progress” and sent to:
Docs In Progress
8700 First Avenue
Silver Spring, MD 20910

However you give, know that, at the center of the word “empowerment” are the letters “WE.”  We can all help empower the next generation of documentary filmmakers.  This world needs more Joes and Deans.

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E is for Elementary

What do you think of when you hear the term “elementary?” Does it have a negative connotation, as though it means something too basic, simple, or easy? Does it take you back to the carefree days of elementary school? Does it make you channel your inner Sherlock Holmes: “Elementary, my dear Watson?”

One word can mean so many different things, just as one topic can be treated in so many different ways by different filmmakers. At Docs In Progress, we define “elementary” as a the aspects of a subject which are necessary to learn in order to progress to understanding more complex one. Building blocks, if you will.

That is one of the key goals of Docs In Progress — to give aspiring and emerging filmmakers access to those building blocks of becoming good filmmakers. For someone brand new to filmmaking, their building blocks may be the chance to make a short documentary exercise in our production class or youth summer camp. For someone who already understands the basics of how to use a camera or edit, their building blocks may be more focused on developing the story for their first documentary film. Wherever someone is starting, there is a space to explore the basics so that they can get to the next stage and actually see a documentary through to completion.

In 2012, Docs In Progress will be launching a Scholarship Program which will help make it possible for more people (both adults and youth) to have access to those building blocks of documentary filmmaking. The crucial element to make this happen is your support.

Campaign Update
We’ve raised $475 of our $5,000 goal through online donations.  Special thanks to our latest funders, Madeleine Bondy, Tiki Pie, and Kiley Krakouskas!

With only 33 days to go, if we raise just $20 each day from sixof our readers, we will meet our goal.  What are you waiting for?

Click here to find out how to give online.*

* Docs In Progress is a 501(c)(3) nonprofit organization.  All donations are tax-deductible up to the full extent of the law. While it’s easier and more fun to give online where we offer perks, we also accept mailed donations by check or you can give your donation at our Winter Open House this coming Friday, December 9.


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E is for Everyone

At one time, the door to documentary filmmaking was very heavy.  You had to go to film school and then apprentice under someone for a long time.  Cameras, editing systems, film, and film processing were out of the price range for most individuals.  Even if you made a film, you had to break through the few tightly-curated outlets for documentary in order to get it seen.

Those days are over. The expansion of community media centers and school media literacy programs has given hundreds of thousands of individuals the opportunity to try their hand at telling stories through video. The rise of “pro-sumer” video cameras and nonlinear editing software which can play on your Mac or PC at home or on-the- go made the technology more affordable. The increase of non-fiction storytelling in the mainstream, fueled by everyone from Michael Moore to reality television has made documentary viewed as entertaining as well as educational. And the proliferation of different outlets for documentary — from hundreds of cable and public television stations to film festivals, movie theaters, microcinemas, cafes, libraries, backyards, and the Internet has created a space where truly everyone could make a documentary and get it seen by someone.

However, just having increased access to the means of production and distribution does not mean that everyone is out there making great documentaries.

That is where Docs In Progress steps in. Our goal is to develop new voices in documentary film and this goes far beyond teaching the basics of how to use a camera or push some buttons on an editing system.  It is about creating an incubator for documentary storytelling.

Whether we are teaching a 14-year-old in our youth summer camp or a 64-year old in one of our documentary production classes, we use a similar approach.  We give the production teams the raw materials for making a film.  Not only do we teach them how to shoot and edit, but also provide them a lead on the subject of their film by connecting them to a person, issue, nonprofit, or small business in Silver Spring, Maryland.  What they do with these tools is where the magic of storytelling happens.

For example, this past summer, one of the teams in our summer camp was given a local comic book store, Alliance Comics, as its subject.

They created this piece within the limitations of a two-week camp, a three-person team, a single day of filming, only 30 minutes allowed of original footage, and an end piece which could not exceed seven minutes. Yet what they created was not merely about a specialized store in downtown Silver Spring, but about how that store reflects larger societal trends.  They developed their skills working in a team and expressing complex ideas.  They learned about how interviews, narration, original footage, text, archival materials, Fair Use guidelines, and music all contribute to creating a documentary.

This was an experience that helped develop them not only in terms of their creativity and artistry, but with many other skills which they will take forward with them as they continue to develop towards adulthood — whether they eventually decide to pursue filmmaking as a career or not.

It’s an experience we’d like to make available to everyone…which is why Docs In Progress is raising funds to launch our first scholarship program.  This will make it possible for kids whose families can’t even afford the relatively modest cost of our summer camp to be able to find a space where they can express themselves through the power of documentary filmmaking.  Whether you can give $5 or $500, every little bit will help us get closer to our goal of raising $5,000 by January 6.  Together, let’s make it possible for Everyone to have a documentary opportunity. Click here to Donate.

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